Sunday, January 11, 2009 |
roundtable |
This weekend the lovely Remittance Girl hosted a roundtable discussion on nonconsensual sex in erotica and was kind enough to ask me to participate, which was all the more kind as I don't consider myself a writer or a writer of erotica. I should write about this issue more fully, but for now, here's what I said:
What should we say counts as non-consensual? Starting with fairy tales running up to Harlequin romances there is generally an element of--if not straightforward nonconsent--resistance and unwillingness in the stories told to women about their sexual roles. It's also implied in stories about abduction. The Story of O is probably all about nonconsent; O turns her will over to another, and so it's questionable whether she can be said to consent, rather than her master(s). And let's not forget the rape scene in the Fountainhead, where Dominique Francon basically falls in love with her rapist. Scarlet O'Hara is essentially raped by Rhett Butler. In fact, in most story tales, we can probably state a corollary: Good girls resist, and then succumb. Bad girls are 'tamed'. Essentially, the lack of consent is what allows them to feel desire and passion.
I've struggled with the topic. I don't want to reinforce the old trope where being taken against one's will somehow is liberating. I would like for women to claim their own sexuality. But claiming it means acknowledging not only that women can and should be sexual agents, but that sometimes the roles we wish to play involve a kind of submission or overcoming.
Anyway, go here to read some great writers, and see what some very smart people had to say about it, with responses far more considered than mine. I love Remittance Girl's writing, so be sure to explore her site while you're there.Labels: blogging, remittance girl |
posted by O @ 19:51 |
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3 Comments: |
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You are a writer. I've kept your RSS bookmarked for the last silent year just on the off-chance you'd come back because I love the way you put words together. That it's erotica is, for me, almost secondary -- the writing's beautiful, even when painful, and always evocative without resorting to cheapness or obviousness or cliché.
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Ruth, I'm grateful and extremely touched. I don't know what to say but it's you and the people like you, who almost never comment but have let me know they've been reading all along--who waited for me to come back--that have enabled me to find my voice again. Thank you, so much. It means more than you know to me. gratefully, O
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Do me a favour O, and don't insult my judgment. I know a writer when I see one. Your post after this, 'lift', proves my point, if it ever needed proving.
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You are a writer. I've kept your RSS bookmarked for the last silent year just on the off-chance you'd come back because I love the way you put words together. That it's erotica is, for me, almost secondary -- the writing's beautiful, even when painful, and always evocative without resorting to cheapness or obviousness or cliché.